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This is the page for Caroline Bradley’s Contracts Class at the University of Miami School of Law. In the Fall Semester 2019 we are using the following books: Macaulay, Whitford, Hendley & Lipson, Contracts: Law in Action: Volume I: The Introductory Course (4th Ed. 2016) (Carolina Academic Press (looseleaf edition $146.00) and Burton & Eisenberg, Contract Law, Selected Source Materials Annotated.

Classes are on Mondays, Wednesdays and Thursdays from 3.30-4.50 pm in F 109.

Dean’s Fellow Sessions with Cole Baldecchi: Tuesdays @ 4 – 4:50 in Room F200 and  Thursdays @ 5:30 – 6:30 in Room F300.

Week 2- August 19-23 I moved the material previously on this page to the archive page. Each week I will move current material to the archive page..

On Monday we will begin with fraud.  Here are the 3 fraud hypos  I assigned last week (which we will discuss on Monday). Please read pages 1-29 of the Casebook, although I will not go over these pages in detail in class at this point. Please also read pages 31-44, and the provisions of UCC Article 2 or of the Restatement referred to in the Casebook (e.g. at the top of page 43) in your Source Materials book. Be prepared to discuss the questions on pages 43-44.

For Wednesday’s class please read pages 45-47 (and focus on the hypothetical on page 47).

Here are two different approaches to the issue raised in part 4 of the question:
In Coast Trading Company v Cudahy Company (9th Cir. 1979) the court said:

..as noted in White and Summers’ treatise, the plaintiff-seller should not be allowed to obtain a greater amount in section 2-708 damages than the seller actually lost..

In contrast, in Peace River Seed Co-op. v Proseeds Mktg. (Oregon Supreme Court 2014), the court said that the plaintiff was entitled to recover its market price damages, even if those damages exceeded plaintiff’s resale price damages.

Also think about this hypothetical:

Alpha, a painter, contracts to sell a painting to Beta for $10,000. The painting is to be delivered to Beta on September 30th and Alpha has hired Deltaco, a firm which specializes in fine art deliveries, to carry out the delivery for $500 (the terms of the delivery contract allow Alpha to cancel delivery on 48 hours’ notice). On September 20th Beta calls Alpha and says that the client who had been intending to buy the painting from Beta had changed her mind because she was getting divorced. Beta did not have any other clients who would be interested in buying Alpha’s painting and therefore did not want Alpha to deliver the painting. Alpha cancels the delivery contract. On September 22nd Gamma offers to pay Alpha $9,500 for the painting. If Alpha accepts Gamma’s offer what damages can Alpha obtain from Beta?

For Thursday’s class please read to page 61. Notice that the actor in this case is Shirley MacLaine. Parker is her husband’s family name.

The authors of the Casebook we are using spend a lot of time explaining their perspective on contract law. Here is another take on why the perspective a casebook adopts matters. It is from Mary Joe Frug, Re-Reading Contracts: A Feminist Analysis of a Contracts Casebook, 34 Am. U. L. Rev 1065 (1984-5) at p. 1069:

I do not believe that a casebook is simply a neutral reflection of what students need to know to practice law, to pass the bar, to think like lawyers, or to become law teachers. I maintain that, even within the constraints of professional necessity,’ editors have a wide range of choice in their case selections, their comments, their notes, their problems, and their questions, and the choices they make are not inevitable. The choices could be different and, indeed, choices about content do differ among casebooks within particular subject areas. I also believe that a casebook is a powerful document. The editorial choices within a casebook determine how many readers think about the law of a doctrinal area, about lawyering in that field, about clients, and about legal reasoning… Because a casebook has such power, and because its contents are subject to editorial choice, analyzing the biases of a particular casebook could challenge the effect of the casebook on its readers.

In the article, Frug critiques the treatment of the Parker case in the casebook she is discussing (not the one we are using) because it does not encourage the reader to think about the issues the authors of our casebook raise with respect to Shirley Maclaine’s likely preference for the Bloomer Girl project. At p. 1125 of the article, Frug writes:

Understanding MacLaine as a powerful actress whose feminist politics are respected by the California Supreme Court could also stimulate readers to draw connections between social contexts and legal decisions, between the experiences of parties in a case and the experiences of readers themselves.

You may be interested in this list of Fierce Female Roles in Westerns  and perhaps think about female characters in Westworld or Deadwood.

In A Theory of Self-help Remedies in Contract (89 B.U.L. Rev. 1397 (2009)), Mark Gergen writes (at page 1403):

The interest in remedial simplicity explains why the law tolerates waste and windfall in this situation. There is reason to believe that MacLaine genuinely preferred the role in Bloomer Girl to the role in Big Country, Big Man. To protect MacLaine from a loss in performing the less desired role, while avoiding waste, the law might require her to take the role in the Western while giving her damages for her loss. This the law does not do. Had MacLaine taken the role, she would have been denied damages for her artistic, political, or reputational loss, as any estimate of the loss would be speculative. The only way MacLaine could avoid suffering an uncompensated loss was to do what she did, which was to reject the role in Big Country, Big Man and get a judgment for the contract price.

August 20: If you didn’t see Above the Law’s advice for 1Ls, you should go read it now (I saw this via Professor Froomkin’s blog).